The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 21
... energy level with which we are comfortable . In fact we increase the sound energy , the volume , but do not increase the verbal energy to balance with it . Now the energy required to share with a large number of people is only partly to ...
... energy level with which we are comfortable . In fact we increase the sound energy , the volume , but do not increase the verbal energy to balance with it . Now the energy required to share with a large number of people is only partly to ...
Стр. 82
Cicely Berry. Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY THROUGH THE TEXT Perhaps the most useful thing to realize is this : there is in Shakespeare an energy which runs through the text which is not a naturalistic one ; an ...
Cicely Berry. Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY THROUGH THE TEXT Perhaps the most useful thing to realize is this : there is in Shakespeare an energy which runs through the text which is not a naturalistic one ; an ...
Стр. 181
... energy . If one thought has come to rest in the middle of the line , then you have two sets of energy moving you on . structure Finally , find the dialogue within the speech , so do the third part of the sequence : kick or move on the ...
... energy . If one thought has come to rest in the middle of the line , then you have two sets of energy moving you on . structure Finally , find the dialogue within the speech , so do the third part of the sequence : kick or move on the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing