The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 108
... excellent exercise , because it can pinpoint so much : it brings out the intrinsic qualities of the speech , while keeping the thought moving through . I do not want to give any more examples here , because it takes time to absorb one ...
... excellent exercise , because it can pinpoint so much : it brings out the intrinsic qualities of the speech , while keeping the thought moving through . I do not want to give any more examples here , because it takes time to absorb one ...
Стр. 186
... excellent to do on a soliloquy , like one of Hamlet's which outwardly seem to be philosophical , but it soon makes you realize how disturbing some of the images are . Or maybe on Angelo in Measure for Measure you find how dark his ...
... excellent to do on a soliloquy , like one of Hamlet's which outwardly seem to be philosophical , but it soon makes you realize how disturbing some of the images are . Or maybe on Angelo in Measure for Measure you find how dark his ...
Стр. 203
... excellent way of finding exactly where you are within the thought of the scene . And lastly , here are two exercises to do with style : specifically to help us find a way of feeling and presenting the language at the same time , so we ...
... excellent way of finding exactly where you are within the thought of the scene . And lastly , here are two exercises to do with style : specifically to help us find a way of feeling and presenting the language at the same time , so we ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing