The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 180
... eyes , So I , admiring of his qualities . Things base and vile , holding no quantity , Love can transpose to form and dignity . Love looks not with the eyes , but with the mind , And therefore is winged Cupid painted blind . Nor hath ...
... eyes , So I , admiring of his qualities . Things base and vile , holding no quantity , Love can transpose to form and dignity . Love looks not with the eyes , but with the mind , And therefore is winged Cupid painted blind . Nor hath ...
Стр. 233
... eye : A lover's eyes will gaze an eagle blind . A lover's ear will hear the lowest sound When the suspicious head of theft is stopped . Love's feeling is more soft and sensible Than are the tender horns of cockled snails . Love's tongue ...
... eye : A lover's eyes will gaze an eagle blind . A lover's ear will hear the lowest sound When the suspicious head of theft is stopped . Love's feeling is more soft and sensible Than are the tender horns of cockled snails . Love's tongue ...
Стр. 235
... eyes not alone . . motion swift as thought in the brain elements adds seeing to the eye A lover's eyes ... A lover's ear Love's feeling snails Love's tongue For valour eagle blind suspicious head of theft soft and sensible dainty ...
... eyes not alone . . motion swift as thought in the brain elements adds seeing to the eye A lover's eyes ... A lover's ear Love's feeling snails Love's tongue For valour eagle blind suspicious head of theft soft and sensible dainty ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing