The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 276
... feel that it is the easier way and that it gives you the freedom and strength you want , you will use it naturally . 1 On the floor THE EXERCISES Lie on the floor and feel your back as much in touch with the floor as possible . First ...
... feel that it is the easier way and that it gives you the freedom and strength you want , you will use it naturally . 1 On the floor THE EXERCISES Lie on the floor and feel your back as much in touch with the floor as possible . First ...
Стр. 278
... Feel the tongue moving the sound out . In . . . free . . . sing out on EE , feel the jaw and throat open . Shape the sound with the front of the tongue while keeping the back of the tongue as free as possible . Try to feel some ...
... Feel the tongue moving the sound out . In . . . free . . . sing out on EE , feel the jaw and throat open . Shape the sound with the front of the tongue while keeping the back of the tongue as free as possible . Try to feel some ...
Стр. 280
... feeling of the sound starting in the stomach : Fill down ... touch the sound out three times on AH spoken . - For the following exercises try to feel there is nothing happening in your body - just the breath working for you . -― - Feel ...
... feeling of the sound starting in the stomach : Fill down ... touch the sound out three times on AH spoken . - For the following exercises try to feel there is nothing happening in your body - just the breath working for you . -― - Feel ...
Содержание
Acknowledgments 79 | 7 |
Attitudes to Voice and Text | 15 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing