The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 20
... feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the instrument of ...
... feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the instrument of ...
Стр. 276
... feel that it is the easier way and that it gives you the freedom and strength you want , you will use it naturally . 1 On the floor THE EXERCISES Lie on the floor and feel your back as much in touch with the floor as possible . First ...
... feel that it is the easier way and that it gives you the freedom and strength you want , you will use it naturally . 1 On the floor THE EXERCISES Lie on the floor and feel your back as much in touch with the floor as possible . First ...
Стр. 280
... feeling of the sound starting in the stomach : Fill down ... touch the sound out three times on AH spoken . For the following exercises try to feel there is nothing happening in your body - just the breath working for you . Feel the ...
... feeling of the sound starting in the stomach : Fill down ... touch the sound out three times on AH spoken . For the following exercises try to feel there is nothing happening in your body - just the breath working for you . Feel the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing