The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 54
... final syllable of ' dignity ' , though the stress is implicit and gives an open - ended quality to the word which has no final consonant . We see at once how the stress changes according to the length and quantity of the syllable ...
... final syllable of ' dignity ' , though the stress is implicit and gives an open - ended quality to the word which has no final consonant . We see at once how the stress changes according to the length and quantity of the syllable ...
Стр. 55
... final consonant so it is more variable . The second syllable of ' households ' is unstressed but holds weight because of the length of the vowel and the quantity of the consonants ' lds ' which take time to speak . This gives the whole ...
... final consonant so it is more variable . The second syllable of ' households ' is unstressed but holds weight because of the length of the vowel and the quantity of the consonants ' lds ' which take time to speak . This gives the whole ...
Стр. 98
... final ' I ' makes it particularly long , and that a word without a final consonant can be as long or as short as you please . shoot chew choose - - caught store called heart hard — ― -- - chewed coarse call - cause ― charred charge ...
... final ' I ' makes it particularly long , and that a word without a final consonant can be as long or as short as you please . shoot chew choose - - caught store called heart hard — ― -- - chewed coarse call - cause ― charred charge ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing