The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 68
... give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic . Now there are many examples you can find . In some places they are used no more than to give a quickening to the scene ...
... give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic . Now there are many examples you can find . In some places they are used no more than to give a quickening to the scene ...
Стр. 185
... give yourself totally to the phrase you are speaking ; so you find its specific value and its specific dynamic . It therefore increases the variety and gives it a different life . ( iii ) This is a variation of the above , but not quite ...
... give yourself totally to the phrase you are speaking ; so you find its specific value and its specific dynamic . It therefore increases the variety and gives it a different life . ( iii ) This is a variation of the above , but not quite ...
Стр. 216
... give a sense of listening for something other than what is directly present . ( i ) ' the isle is full of noises . . . ' : which I have already talked about on page 36 , and which gives us a very strong sense of place , and of how he ...
... give a sense of listening for something other than what is directly present . ( i ) ' the isle is full of noises . . . ' : which I have already talked about on page 36 , and which gives us a very strong sense of place , and of how he ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing