The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Результаты поиска по книге
Результаты 1 – 3 из 51
Стр. 47
... happen with it . Ambiguity is always communicated either to another character or to the audience : the choice of the word is its sub - text . And I think on the whole we are afraid of ambiguity . The way the language happens always begs ...
... happen with it . Ambiguity is always communicated either to another character or to the audience : the choice of the word is its sub - text . And I think on the whole we are afraid of ambiguity . The way the language happens always begs ...
Стр. 186
... happens is this : although you know it is set up as an exercise and therefore not serious , it is still irritating to have someone jostle you and so something else happens vocally , the voice sits down as it were , and you find it ...
... happens is this : although you know it is set up as an exercise and therefore not serious , it is still irritating to have someone jostle you and so something else happens vocally , the voice sits down as it were , and you find it ...
Стр. 273
... happens incidentally . Of course inflection is part of it , but cadence happens because of the musical flow of the language , and because of the underlying drive of the thought and the shape of the whole . I am not talking about being ...
... happens incidentally . Of course inflection is part of it , but cadence happens because of the musical flow of the language , and because of the underlying drive of the thought and the shape of the whole . I am not talking about being ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing