The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Результаты поиска по книге
Результаты 1 – 3 из 57
Стр. 16
... hear it accurately . We obviously never hear it in the way we hear someone else's voice- we are aware of this when we hear ourselves on tape , but even then we listen subjectively . It certainly seldom tallies with how others hear us ...
... hear it accurately . We obviously never hear it in the way we hear someone else's voice- we are aware of this when we hear ourselves on tape , but even then we listen subjectively . It certainly seldom tallies with how others hear us ...
Стр. 216
... hear this ? First Soldier : Third Soldier : First Soldier : All : Ay . Is't not strange ? Do you hear , masters ? Do you hear ? Follow the noise so far as we have quarter . Let's see how it will give off . Content . ' Tis strange ...
... hear this ? First Soldier : Third Soldier : First Soldier : All : Ay . Is't not strange ? Do you hear , masters ? Do you hear ? Follow the noise so far as we have quarter . Let's see how it will give off . Content . ' Tis strange ...
Стр. 261
... hear your own voice you start to push with the same effect , only not as extreme , as talking in the open air when you tend to shout because you cannot hear what is happen- ing . This is when you can damage the voice , so resist the ...
... hear your own voice you start to push with the same effect , only not as extreme , as talking in the open air when you tend to shout because you cannot hear what is happen- ing . This is when you can damage the voice , so resist the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing