The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 34
... heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual ...
... heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual ...
Стр. 35
... heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the ...
... heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the ...
Стр. 213
... HEIGHTENED MUSIC What I want to look at here quite briefly are those moments which are to do with what I call a heightened music . I do not mean here the very poetic lyrical verse of say Romeo and Juliet in the first balcony scene , or ...
... HEIGHTENED MUSIC What I want to look at here quite briefly are those moments which are to do with what I call a heightened music . I do not mean here the very poetic lyrical verse of say Romeo and Juliet in the first balcony scene , or ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing