The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 68
... instance , yet they are still very much to do with a heightened style of speaking , for they are to do with the actor's sense of the rhythm of the whole , and the ability to pick up on the individual rhythm of the actors he is working ...
... instance , yet they are still very much to do with a heightened style of speaking , for they are to do with the actor's sense of the rhythm of the whole , and the ability to pick up on the individual rhythm of the actors he is working ...
Стр. 174
... instance , ' count ' would not be so precise without the word ' do ' . None of the important words would be so telling without the unimportant ones . How multi - syllable words alter the structure of a line . How sequences of single ...
... instance , ' count ' would not be so precise without the word ' do ' . None of the important words would be so telling without the unimportant ones . How multi - syllable words alter the structure of a line . How sequences of single ...
Стр. 246
... instance , if you are playing one of the lovers in The Dream , or Jessica or Lorenzo in The Merchant , then the sequence of Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for ...
... instance , if you are playing one of the lovers in The Dream , or Jessica or Lorenzo in The Merchant , then the sequence of Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing