The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 84
... keeping the overall sense in your mind , and find out just how much each word contributes . Among other things you will ... keep our minds on what has been in tune . Line 10 ' unmatch'd ' is the sum of all so far ; ' blown ' has an odd ...
... keeping the overall sense in your mind , and find out just how much each word contributes . Among other things you will ... keep our minds on what has been in tune . Line 10 ' unmatch'd ' is the sum of all so far ; ' blown ' has an odd ...
Стр. 150
... keep sensitive to each other . It is quite healthy to feel irritated when someone breaks the chain in some way ! At this point I would like to say a circle is quite the best configuration in which to begin exercises . This is nothing ...
... keep sensitive to each other . It is quite healthy to feel irritated when someone breaks the chain in some way ! At this point I would like to say a circle is quite the best configuration in which to begin exercises . This is nothing ...
Стр. 267
... keep it talking as direct speech . It is excellent for two people to work on together , either taking a verse each , or half a verse , but keeping it moving both rhythmi- cally and musically . Experiment with as much range as possible ...
... keep it talking as direct speech . It is excellent for two people to work on together , either taking a verse each , or half a verse , but keeping it moving both rhythmi- cally and musically . Experiment with as much range as possible ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing