The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 17
... listener . Small differences seem big . Yet the actor has got to feel true to his sound , for , just as a writer cannot take the words back once they are in print , so an actor , once he has committed himself to speech , either in ...
... listener . Small differences seem big . Yet the actor has got to feel true to his sound , for , just as a writer cannot take the words back once they are in print , so an actor , once he has committed himself to speech , either in ...
Стр. 73
... listener . That is part of its purpose : either a delight in sound and meaning games , or , when used seriously , a tuning into a resonance of meaning through the sound . - In the early comedies , the verse passages slip in and out of ...
... listener . That is part of its purpose : either a delight in sound and meaning games , or , when used seriously , a tuning into a resonance of meaning through the sound . - In the early comedies , the verse passages slip in and out of ...
Стр. 230
... listener understands better when the speaking is swift - I do not mean quick and rushed , but when , within the precise pointing of the text , the thoughts tumble out , impelled each by the one before . This means that we have to think ...
... listener understands better when the speaking is swift - I do not mean quick and rushed , but when , within the precise pointing of the text , the thoughts tumble out , impelled each by the one before . This means that we have to think ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing