The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 106
... mark yourself two places about seven feet apart , then read it speaking one phrase on one mark , walk to the other mark and speak the next phrase , and so on . Walking on each punctuation mark , but stand still to speak . You will have ...
... mark yourself two places about seven feet apart , then read it speaking one phrase on one mark , walk to the other mark and speak the next phrase , and so on . Walking on each punctuation mark , but stand still to speak . You will have ...
Стр. 107
... marks will vary according to the edition you are using ; this does not matter . The point is that the punctuation is ... mark ' - they take on a very specific value . Chiefly , that a speech can be to do with one main thought , but that ...
... marks will vary according to the edition you are using ; this does not matter . The point is that the punctuation is ... mark ' - they take on a very specific value . Chiefly , that a speech can be to do with one main thought , but that ...
Стр. 149
... mark to punctuation mark . Someone may only have one word — that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given from the last person , allow his ...
... mark to punctuation mark . Someone may only have one word — that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given from the last person , allow his ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing