The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 55
... metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with length of syllable varies the movement of the line , and ii ) the metre ...
... metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with length of syllable varies the movement of the line , and ii ) the metre ...
Стр. 171
Cicely Berry. CHAPTER 7 METRE AND ENERGY 1 METRE I have covered quite carefully all the technical points of the iambic pentametre and its variations . All that matters now is that we start to feel that beat in our ... Metre and Energy Metre.
Cicely Berry. CHAPTER 7 METRE AND ENERGY 1 METRE I have covered quite carefully all the technical points of the iambic pentametre and its variations . All that matters now is that we start to feel that beat in our ... Metre and Energy Metre.
Стр. 177
... metre , but it is the fact that the beat is there underneath making a resistance to the flow of the language which gives it its passionate and disturbing strength . Even the lyrical passages of Perdita and Florizel are not smooth . It ...
... metre , but it is the fact that the beat is there underneath making a resistance to the flow of the language which gives it its passionate and disturbing strength . Even the lyrical passages of Perdita and Florizel are not smooth . It ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing