The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 185
... move within a speech , but simply move to a different chair when a new mood takes over the speech , a new strand of thought . If it is a thoughtful speech it is useful to sit on the chairs . It is an excellent way of clarifying the ...
... move within a speech , but simply move to a different chair when a new mood takes over the speech , a new strand of thought . If it is a thoughtful speech it is useful to sit on the chairs . It is an excellent way of clarifying the ...
Стр. 198
... move one chair at a time , but move either towards or away from the other character ( s ) as you feel right . Move near who you want to be near to . You can move whoever is speaking . This is excellent in that it pin - points the change ...
... move one chair at a time , but move either towards or away from the other character ( s ) as you feel right . Move near who you want to be near to . You can move whoever is speaking . This is excellent in that it pin - points the change ...
Стр. 200
... move freely : all are to do with setting up some kind of resistance . First I want to say that I do believe it to be useful for the whole company to take part in some of the work done on certain of the central scenes of a play , even ...
... move freely : all are to do with setting up some kind of resistance . First I want to say that I do believe it to be useful for the whole company to take part in some of the work done on certain of the central scenes of a play , even ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing