The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 24
... movements , but simply an awareness that the words are them- selves a movement — and this is quite subtle . It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we ...
... movements , but simply an awareness that the words are them- selves a movement — and this is quite subtle . It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we ...
Стр. 99
... movement quick . - ' mad ' - a short vowel , but open , and with a voiced consonant at the end . Further , it has two ' a ' sounds on either side - ' as ' and this oddly gives it emphasis . The openness of the vowel opens its ...
... movement quick . - ' mad ' - a short vowel , but open , and with a voiced consonant at the end . Further , it has two ' a ' sounds on either side - ' as ' and this oddly gives it emphasis . The openness of the vowel opens its ...
Стр. 143
... movement on the diphthongs , and also the different lengths of each sound . Now the tongue vowels , again noticing movement and length : AH u ER a a e AY i EE I EAR AIR With each sequence , feel your sound coming to where the movement ...
... movement on the diphthongs , and also the different lengths of each sound . Now the tongue vowels , again noticing movement and length : AH u ER a a e AY i EE I EAR AIR With each sequence , feel your sound coming to where the movement ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing