The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 34
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
Стр. 35
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
Стр. 175
... naturalistic in comparison , yet absolutely regular in terms of metre . Romeo and Juliet : Any of the Nurse in I.3 . Juliet : " Thou know'st the mask of night is on my face . . . ' Capulet : III.5 . ' God's bread , it makes me mad ...
... naturalistic in comparison , yet absolutely regular in terms of metre . Romeo and Juliet : Any of the Nurse in I.3 . Juliet : " Thou know'st the mask of night is on my face . . . ' Capulet : III.5 . ' God's bread , it makes me mad ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing