The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 125
... never object pleasing in thine eye , That never touch well welcome to thy hand , That never meat sweet - savoured in thy taste , Unless I spake , or looked , or touched , or carved to thee . Comedy of Errors , II.2 . And in the last ...
... never object pleasing in thine eye , That never touch well welcome to thy hand , That never meat sweet - savoured in thy taste , Unless I spake , or looked , or touched , or carved to thee . Comedy of Errors , II.2 . And in the last ...
Стр. 209
... never cheapen her ; / fair , or I'll never look on her ; / mild , / or come not near me ; / noble , / or not I for an angel ; / of good discourse , / an excellent musician , / and her hair shall be of what colour it please God . Much ...
... never cheapen her ; / fair , or I'll never look on her ; / mild , / or come not near me ; / noble , / or not I for an angel ; / of good discourse , / an excellent musician , / and her hair shall be of what colour it please God . Much ...
Стр. 217
... Never did I hear Such gallant chiding , for besides the groves , The skies , the fountains , every region near Seemed all one mutual cry . I never heard So musical a discord , such sweet thunder . My hounds are bred out of the Spartan ...
... Never did I hear Such gallant chiding , for besides the groves , The skies , the fountains , every region near Seemed all one mutual cry . I never heard So musical a discord , such sweet thunder . My hounds are bred out of the Spartan ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing