The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 56
... open vowels . - However , there is a certain weight on the unstressed ' crossed ' which qualifies the meaning of the whole word ; and there is a sharpness at the end of the line which makes it sound definite — the final consonants are ...
... open vowels . - However , there is a certain weight on the unstressed ' crossed ' which qualifies the meaning of the whole word ; and there is a sharpness at the end of the line which makes it sound definite — the final consonants are ...
Стр. 99
... open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit ... vowels ,, with regular metre , carried through to the next line , and leading us to ' our sustaining corn ' - all long ...
... open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit ... vowels ,, with regular metre , carried through to the next line , and leading us to ' our sustaining corn ' - all long ...
Стр. 148
... open vowels , and which ones perhaps occur frequently . I remember doing this exercise with Tony Sher , when he was playing Richard III in Stratford , and in the opening soliloquy we suddenly noticed how in the first part of the speech ...
... open vowels , and which ones perhaps occur frequently . I remember doing this exercise with Tony Sher , when he was playing Richard III in Stratford , and in the opening soliloquy we suddenly noticed how in the first part of the speech ...
Содержание
Acknowledgments 79 | 7 |
Attitudes to Voice and Text | 15 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing