The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 16
... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
Стр. 177
... particularly good to look at it in terms of the discipline of the metre , and see how much that adds to it , and gives it its inner tension . Maybe you will hear something new . Now these are just suggestions , and of course any of the ...
... particularly good to look at it in terms of the discipline of the metre , and see how much that adds to it , and gives it its inner tension . Maybe you will hear something new . Now these are just suggestions , and of course any of the ...
Стр. 228
... particularly important at the beginning of a play where there is so much to take in . However , this must never be laboured or sound heavy ; it is a matter of keeping it buoyed up . ( ii ) Never rush information . It is therefore very ...
... particularly important at the beginning of a play where there is so much to take in . However , this must never be laboured or sound heavy ; it is a matter of keeping it buoyed up . ( ii ) Never rush information . It is therefore very ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing