The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 95
... passage shows how the building of an antithesis over a number of lines can make the reverse side stronger and more poignant when we get to it . So , as actors , we have to be ready for the possibility of the opposites all the time , for ...
... passage shows how the building of an antithesis over a number of lines can make the reverse side stronger and more poignant when we get to it . So , as actors , we have to be ready for the possibility of the opposites all the time , for ...
Стр. 152
... passage well , speak it through , fully compre- hending its sense , but with this difference : Verbalize the vowels only . This is quite difficult to do to start with , but it will soon work . Take care that the vowels are supported ...
... passage well , speak it through , fully compre- hending its sense , but with this difference : Verbalize the vowels only . This is quite difficult to do to start with , but it will soon work . Take care that the vowels are supported ...
Стр. 158
... passage clearly in your mind , so that you must work it on a passage that you are well familiar with , so the individual words are not in any sense isolated or staccato . But really feel the energy and texture of each word complete and ...
... passage clearly in your mind , so that you must work it on a passage that you are well familiar with , so the individual words are not in any sense isolated or staccato . But really feel the energy and texture of each word complete and ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing