The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 33
... patterns , and so has class overtones , and this is therefore alienating to anyone who has regional differences of ... patterns . Modern speech patterns are very often downward , and so in a sense introvert : but there is a different ...
... patterns , and so has class overtones , and this is therefore alienating to anyone who has regional differences of ... patterns . Modern speech patterns are very often downward , and so in a sense introvert : but there is a different ...
Стр. 126
... patterns , with many others , are different figures or strophes in rhetoric , which were clearly recognizable to an Elizabethan audience , but which have meaning for only few today . Now , although very interesting , it is probably not ...
... patterns , with many others , are different figures or strophes in rhetoric , which were clearly recognizable to an Elizabethan audience , but which have meaning for only few today . Now , although very interesting , it is probably not ...
Стр. 127
Cicely Berry. You will notice : Patterns in the form of words relating to the patterns of thought . Patterns within the syllables , repetition of vowels and consonants . Their thoughts are so intermixed , it is as if they are breathing ...
Cicely Berry. You will notice : Patterns in the form of words relating to the patterns of thought . Patterns within the syllables , repetition of vowels and consonants . Their thoughts are so intermixed , it is as if they are breathing ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing