The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 24
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
Стр. 33
... perhaps a good deal of television and film , often the qualities that work well for him in those areas - intensity of thought and emotion , and perhaps an under - stated way of expressing these seem to work against him when speaking ...
... perhaps a good deal of television and film , often the qualities that work well for him in those areas - intensity of thought and emotion , and perhaps an under - stated way of expressing these seem to work against him when speaking ...
Стр. 49
... perhaps extreme , and what has it to do with acting ? I think it makes for a climate where text which is verbally explicit is not so believable in today's terms , and is therefore harder for the actor to fill — we feel awkward with its ...
... perhaps extreme , and what has it to do with acting ? I think it makes for a climate where text which is verbally explicit is not so believable in today's terms , and is therefore harder for the actor to fill — we feel awkward with its ...
Содержание
Acknowledgments 79 | 7 |
Attitudes to Voice and Text | 15 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing