The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 24
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
Стр. 33
... perhaps a good deal of television and film , often the qualities that work well for him in those areas intensity of thought and emotion , and perhaps an under - stated way of expressing these seem to work against him when speaking ...
... perhaps a good deal of television and film , often the qualities that work well for him in those areas intensity of thought and emotion , and perhaps an under - stated way of expressing these seem to work against him when speaking ...
Стр. 251
... perhaps to Jacobean writing , all the exercises we have used will work for other text , though of course very different qualities will emerge . But certainly all the exercises to do with moving at changes of thought , to do with group ...
... perhaps to Jacobean writing , all the exercises we have used will work for other text , though of course very different qualities will emerge . But certainly all the exercises to do with moving at changes of thought , to do with group ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing