The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 149
... person at a time , from punctuation mark to punctuation mark . Someone may only have one word — that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given ...
... person at a time , from punctuation mark to punctuation mark . Someone may only have one word — that is part of what we will mark . Within an awareness of what the whole passage is about , each person must receive what he has been given ...
Стр. 245
... person's response will be interesting , and not always as you had expected . - - If it is not appropriate to speak ... person is simply in another room . But whatever you decide on , the important thing is to have one person in mind and ...
... person's response will be interesting , and not always as you had expected . - - If it is not appropriate to speak ... person is simply in another room . But whatever you decide on , the important thing is to have one person in mind and ...
Стр. 263
... person feeling the vibrations in the chest , back , head and face . When that hum feels satisfactory , then everyone go into the auditorium , spreading round as much as possible , and set up the hum again . Continue that hum until you ...
... person feeling the vibrations in the chest , back , head and face . When that hum feels satisfactory , then everyone go into the auditorium , spreading round as much as possible , and set up the hum again . Continue that hum until you ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing