The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 153
... phrases are cut up in similar ways . It is quite interesting to vary the singing of the phrases round on the Troilus speech . Let each phrase be sung back to the individual by the group , as exactly as possible , so that each phrase ...
... phrases are cut up in similar ways . It is quite interesting to vary the singing of the phrases round on the Troilus speech . Let each phrase be sung back to the individual by the group , as exactly as possible , so that each phrase ...
Стр. 183
... phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get several people speaking at a time , but as it comes together , you will find you get a shared sense ...
... phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get several people speaking at a time , but as it comes together , you will find you get a shared sense ...
Стр. 207
... phrase lifted ( i.e. , those before the mark ) , not necessarily paused on , in order to get the main points of the argument . A simple statement , which spreads . This sets up the antithesis between his brother and himself : I have ...
... phrase lifted ( i.e. , those before the mark ) , not necessarily paused on , in order to get the main points of the argument . A simple statement , which spreads . This sets up the antithesis between his brother and himself : I have ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing