The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 20
... physical response which we have to words which touch our inner thoughts and feelings , where the association of the word itself can evoke a response separate from the feeling . For instance , if there is something in our life about ...
... physical response which we have to words which touch our inner thoughts and feelings , where the association of the word itself can evoke a response separate from the feeling . For instance , if there is something in our life about ...
Стр. 22
... physical nature of the words and images , and are more deeply moved by them , than do the more sophisticated and highly educated ' A ' Level students . They get closer to the sense that a character can be possessed by the words , and as ...
... physical nature of the words and images , and are more deeply moved by them , than do the more sophisticated and highly educated ' A ' Level students . They get closer to the sense that a character can be possessed by the words , and as ...
Стр. 165
... physical obstacle will release the physical urge within the words . In this passage you will have felt it on ' lingers my desires ' and ' Stir up the Athenian youth ' , etc .; what is important is that it allows the words to be both ...
... physical obstacle will release the physical urge within the words . In this passage you will have felt it on ' lingers my desires ' and ' Stir up the Athenian youth ' , etc .; what is important is that it allows the words to be both ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing