The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 78
... piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall ...
... piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall ...
Стр. 148
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
Стр. 255
... pieces : one Chorus from the second of Bond's War Plays , The Tin Can People ; and a short piece from Sus by Barrie Keeffe . It seems to me very important that we look for the formal in modern writing , because in our own familiar ...
... pieces : one Chorus from the second of Bond's War Plays , The Tin Can People ; and a short piece from Sus by Barrie Keeffe . It seems to me very important that we look for the formal in modern writing , because in our own familiar ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing