The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 148
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
Стр. 185
... parts of the room . This time there is no definite plan as to where you should move within a speech , but simply move ... piece of text the different tacks that the mind takes to come round to the central point or resolution . Often you ...
... parts of the room . This time there is no definite plan as to where you should move within a speech , but simply move ... piece of text the different tacks that the mind takes to come round to the central point or resolution . Often you ...
Стр. 265
... piece of text from the stage , and get someone to go and listen in different parts of the theatre , and get their reactions . Experiment with the volume first , and find what is comfortable to listen to . Then experiment with the pitch ...
... piece of text from the stage , and get someone to go and listen in different parts of the theatre , and get their reactions . Experiment with the volume first , and find what is comfortable to listen to . Then experiment with the pitch ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing