The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 148
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
... piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per line . Be precise about the shape you make with your ...
Стр. 263
... piece of text , not from the play but something similar in style , and work it through together on the stage for breathing , for verbal energy and relaxation . Then take a line or a line - and - a - half round in order , giving a moment ...
... piece of text , not from the play but something similar in style , and work it through together on the stage for breathing , for verbal energy and relaxation . Then take a line or a line - and - a - half round in order , giving a moment ...
Стр. 275
... piece of text together , and then humming and singing on an open vowel . A suitable piece of text would be the following poem by Dylan Thomas . It has good firm voiced consonants which take time to honour fully . It can be clearly ...
... piece of text together , and then humming and singing on an open vowel . A suitable piece of text would be the following poem by Dylan Thomas . It has good firm voiced consonants which take time to honour fully . It can be clearly ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing