The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 190
... precise about the task in hand ; make that the important thing in your mind , and let the text take care of itself . ( iii ) Now for one which I feel is particuarly valuable in finding the inner response , in finding a way to allow the ...
... precise about the task in hand ; make that the important thing in your mind , and let the text take care of itself . ( iii ) Now for one which I feel is particuarly valuable in finding the inner response , in finding a way to allow the ...
Стр. 191
... precise , and that will make you precise with the words . There is also something sensuous about drawing a picture - this also informs the text . I think it would be good to model something with modelling clay while speaking . I have ...
... precise , and that will make you precise with the words . There is also something sensuous about drawing a picture - this also informs the text . I think it would be good to model something with modelling clay while speaking . I have ...
Стр. 195
... precise . You realize your rela- tionship , and what you want out of it , in terms of the text . Both these exercises are very useful in making us clarify the language for ourselves , and the choices we make in it . The first ...
... precise . You realize your rela- tionship , and what you want out of it , in terms of the text . Both these exercises are very useful in making us clarify the language for ourselves , and the choices we make in it . The first ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing