The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 119
... question . But the questions are about nature outside herself , and we know that she is aware of grief in a larger context than herself . So with the rest of Juliet , where here feelings are extreme , they are always expressed in terms ...
... question . But the questions are about nature outside herself , and we know that she is aware of grief in a larger context than herself . So with the rest of Juliet , where here feelings are extreme , they are always expressed in terms ...
Стр. 208
... question . As you will see there is a lot of information in the speech , both about the hard facts of the situation , and about Orlando's feelings and his relationship with his brother and his dead father . Moreover , there is a good ...
... question . As you will see there is a lot of information in the speech , both about the hard facts of the situation , and about Orlando's feelings and his relationship with his brother and his dead father . Moreover , there is a good ...
Стр. 228
... question ' Who's there ? ' And indeed Hamlet is full of questions and riddles , and that very question is , in a larger sense , what the whole play is about . Notice how the first few lines are in prose , but when in verse , space is ...
... question ' Who's there ? ' And indeed Hamlet is full of questions and riddles , and that very question is , in a larger sense , what the whole play is about . Notice how the first few lines are in prose , but when in verse , space is ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing