The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 18
... reason for the words he has to speak , of relating them both to his own experience and to the motive of the ... reasons in his head , without quite springing the energy of the thought into the words . In a sense , the words are by ...
... reason for the words he has to speak , of relating them both to his own experience and to the motive of the ... reasons in his head , without quite springing the energy of the thought into the words . In a sense , the words are by ...
Стр. 65
... reason for the missing beat , that there is a demand within the situation or within the character for silence . It may be that a movement is needed , or that the thought needs time to settle between characters , or that the thought ...
... reason for the missing beat , that there is a demand within the situation or within the character for silence . It may be that a movement is needed , or that the thought needs time to settle between characters , or that the thought ...
Стр. 119
... reason swayed , And reason says you are the worthier maid . Things growing are not ripe until their season ; So I , being young , till now ripe not to reason . And touching now the point of human skill , Reason becomes the marshal to my ...
... reason swayed , And reason says you are the worthier maid . Things growing are not ripe until their season ; So I , being young , till now ripe not to reason . And touching now the point of human skill , Reason becomes the marshal to my ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing