The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 23
... rehearsal , makes us press in some way . Each actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and ...
... rehearsal , makes us press in some way . Each actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and ...
Стр. 189
... rehearsal , or as part of rehearsal itself . But the exercises I want to look at now are specifically for text which you are bringing to performance , to help integrate the motive and the speech , and get that extra sense of placing the ...
... rehearsal , or as part of rehearsal itself . But the exercises I want to look at now are specifically for text which you are bringing to performance , to help integrate the motive and the speech , and get that extra sense of placing the ...
Стр. 200
... rehearsal , and I think they speed the rehearsal process . Most of them can be adapted to the needs of specific scenes , and I think I have indicated how they may be used . But I want now to focus on a few which I think are particularly ...
... rehearsal , and I think they speed the rehearsal process . Most of them can be adapted to the needs of specific scenes , and I think I have indicated how they may be used . But I want now to focus on a few which I think are particularly ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing