The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 73
... rhyme , which leads us to just that point . 2b : Rhyme . There is nothing difficult about this : we simply have to be alert to it and use it , we have to allow it its artificiality . I think perhaps the important thing to realize is ...
... rhyme , which leads us to just that point . 2b : Rhyme . There is nothing difficult about this : we simply have to be alert to it and use it , we have to allow it its artificiality . I think perhaps the important thing to realize is ...
Стр. 77
... rhyme and enjoy using it : for we must remember that pleasure in rhyme is a very basic instinct , which has nothing to do with class or education , simply with a delight in the turning of a word , as in children's rhymes , music - hall ...
... rhyme and enjoy using it : for we must remember that pleasure in rhyme is a very basic instinct , which has nothing to do with class or education , simply with a delight in the turning of a word , as in children's rhymes , music - hall ...
Стр. 78
... rhymes which occur within one line ; these are often quite subtle , and just have to be listened for . And now to the last variation : 2C : Final rhyming couplets . These are not the same as rhyme within a scene , for they are used ...
... rhymes which occur within one line ; these are often quite subtle , and just have to be listened for . And now to the last variation : 2C : Final rhyming couplets . These are not the same as rhyme within a scene , for they are used ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing