The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 37
... rhythm . This strong rhythm , with the combination of the long vowels in the short lines , and the last line with its long repeated monosyllables - which can be taken as a three - beat or a five - beat line makes us apprehend something ...
... rhythm . This strong rhythm , with the combination of the long vowels in the short lines , and the last line with its long repeated monosyllables - which can be taken as a three - beat or a five - beat line makes us apprehend something ...
Стр. 52
... rhythm and wonderfully shaped expression . How do you feel this language knocking around inside you , as it were ... rhythm of the iambic pentameter is very like ordinary speech rhythms , a lot of the time we observe the metre ...
... rhythm and wonderfully shaped expression . How do you feel this language knocking around inside you , as it were ... rhythm of the iambic pentameter is very like ordinary speech rhythms , a lot of the time we observe the metre ...
Стр. 53
... rhythm breaks or jumps in any way it means there is something dramatic happening , either within the action of the play or with the feeling and behaviour of the character . The Elizabethan audience must have been so attuned to this ...
... rhythm breaks or jumps in any way it means there is something dramatic happening , either within the action of the play or with the feeling and behaviour of the character . The Elizabethan audience must have been so attuned to this ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing