The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 150
... round . Make sure it is a pure whisper , and no voiced sound comes in some people find this difficult . - Again , because you have taken away the element of voice which is trying to make good sense , and ' behave ' properly , you will ...
... round . Make sure it is a pure whisper , and no voiced sound comes in some people find this difficult . - Again , because you have taken away the element of voice which is trying to make good sense , and ' behave ' properly , you will ...
Стр. 151
... round a half line at a time . This means that the person speaking the first half of the line has to judge when the break comes — sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
... round a half line at a time . This means that the person speaking the first half of the line has to judge when the break comes — sometimes you will not do it right , but that does not matter . The valuable thing is that you will hear ...
Стр. 263
... round as much as possible , and set up the hum again . Continue that hum until you feel it just as strong and vibrant as when you were close together . And setting up that hum is important : it obviously should not be in unison because ...
... round as much as possible , and set up the hum again . Continue that hum until you feel it just as strong and vibrant as when you were close together . And setting up that hum is important : it obviously should not be in unison because ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing