The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 55
... sense . Then , keeping the sense in your mind , but reading it for the metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with ...
... sense . Then , keeping the sense in your mind , but reading it for the metre , tapping the metre out gently with your hand . You will notice two things which are at the core of rhythmic structure : i ) the combination of stress with ...
Стр. 86
... sense of catching the moment and leads us to ' but here ' and to ' time ' , the subject of this whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of ...
... sense of catching the moment and leads us to ' but here ' and to ' time ' , the subject of this whole thought . As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of ...
Стр. 228
... sense of their own fear as if they are watching with their whole bodies . We are also made to question what is real and what is imaginary , and we sense that man is pitched on the battlements between heaven and earth , which is Hamlet's ...
... sense of their own fear as if they are watching with their whole bodies . We are also made to question what is real and what is imaginary , and we sense that man is pitched on the battlements between heaven and earth , which is Hamlet's ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing