The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 133
... shape will be present . So here are some speeches within scenes which we will look at briefly . First look at the two speeches of Troilus and Cressida on page 93 : The two speeches take on each other's shape . Both start with a ...
... shape will be present . So here are some speeches within scenes which we will look at briefly . First look at the two speeches of Troilus and Cressida on page 93 : The two speeches take on each other's shape . Both start with a ...
Стр. 134
... shape , and yet the substance of each , and therefore what you get from their characters , is so totally different . Now look at this of Lady Macbeth , in the scene following the soliloquy we have just looked at . Her drive in the scene ...
... shape , and yet the substance of each , and therefore what you get from their characters , is so totally different . Now look at this of Lady Macbeth , in the scene following the soliloquy we have just looked at . Her drive in the scene ...
Стр. 237
... shape is absolutely integral with the thought , yet it is often very free and moves swiftly , as is the case here . Just look at the shape of it : First , the statement of the subject at the beginning : ' Look on thy Country , look on ...
... shape is absolutely integral with the thought , yet it is often very free and moves swiftly , as is the case here . Just look at the shape of it : First , the statement of the subject at the beginning : ' Look on thy Country , look on ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing