The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 54
... short - long rhythm . And this equals 10 syllables . So a regular line in this case the first line of the Prologue from Romeo and Juliet works like this : --- Two households , both alike in dignity . . . If you read this one line aloud ...
... short - long rhythm . And this equals 10 syllables . So a regular line in this case the first line of the Prologue from Romeo and Juliet works like this : --- Two households , both alike in dignity . . . If you read this one line aloud ...
Стр. 95
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
Стр. 99
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' - a ...
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' - a ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing