The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 41
... singing beautifully and the man said ' Now I sing so beautifully I shall be rich and famous ' . He put the bird in a cage and said ' When I open my mouth wide you must sing ' . Then he went to the king and said ' I will sing your ...
... singing beautifully and the man said ' Now I sing so beautifully I shall be rich and famous ' . He put the bird in a cage and said ' When I open my mouth wide you must sing ' . Then he went to the king and said ' I will sing your ...
Стр. 263
... sing a word from the play on any note you like . The group must listen and then sing it back accurately . - Do this a second time round the circle , and this time the group can slightly exaggerate what they hear even make some kind of ...
... sing a word from the play on any note you like . The group must listen and then sing it back accurately . - Do this a second time round the circle , and this time the group can slightly exaggerate what they hear even make some kind of ...
Стр. 278
... sing out gently on OO , making a defined shape with the lips . In . . . free . . . sing out a little louder on OH , filling the cheeks with resonance also for 10 - - empty . In ... free . . . sing out on AW for 10 , shaping the vowel ...
... sing out gently on OO , making a defined shape with the lips . In . . . free . . . sing out a little louder on OH , filling the cheeks with resonance also for 10 - - empty . In ... free . . . sing out on AW for 10 , shaping the vowel ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing