The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 78
... soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic ...
... soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic ...
Стр. 131
... soliloquy on page 61 , which we have already analysed in terms of metre , you will notice : Her theme is in the ... soliloquy on page 118. This runs quite quickly : The initial statement runs right down to ' planetary influence ' seven ...
... soliloquy on page 61 , which we have already analysed in terms of metre , you will notice : Her theme is in the ... soliloquy on page 118. This runs quite quickly : The initial statement runs right down to ' planetary influence ' seven ...
Стр. 177
... soliloquy . Player King : III.2 . Claudius ' soliloquy in III.3 . - - There is something very complete about Ophelia's speech , like a poem on its own . I think the language in Hamlet is very unpressured - it is always lucid and ...
... soliloquy . Player King : III.2 . Claudius ' soliloquy in III.3 . - - There is something very complete about Ophelia's speech , like a poem on its own . I think the language in Hamlet is very unpressured - it is always lucid and ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing