The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 36
... Sometimes a thousand twangling instruments Will hum about mine ears ; and sometimes voices That , if I then had waked after long sleep , Will make me sleep again ; and then , in dreaming , The clouds methought would open , and show ...
... Sometimes a thousand twangling instruments Will hum about mine ears ; and sometimes voices That , if I then had waked after long sleep , Will make me sleep again ; and then , in dreaming , The clouds methought would open , and show ...
Стр. 76
... sometimes rhyme is used for more serious purposes , as in Richard II , where there are hints of it through the play , heightening the formality of the content . As here , in Gaunt's speech to the Duke of York : John of Gaunt : Will the ...
... sometimes rhyme is used for more serious purposes , as in Richard II , where there are hints of it through the play , heightening the formality of the content . As here , in Gaunt's speech to the Duke of York : John of Gaunt : Will the ...
Стр. 164
... Sometimes it is useful simply to work on the antitheses , as we have already noted ; sometimes on verbs . Opening scenes are always useful to work on , as the vocabulary is laid there . It is not always necessary to have a particular ...
... Sometimes it is useful simply to work on the antitheses , as we have already noted ; sometimes on verbs . Opening scenes are always useful to work on , as the vocabulary is laid there . It is not always necessary to have a particular ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing