The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 180
... sonnet . Notice that within the larger thought structure there are still the different textures of the individual parts of the thought . This is a good sequence of exercises , and it is good to work through on a sonnet first to see ...
... sonnet . Notice that within the larger thought structure there are still the different textures of the individual parts of the thought . This is a good sequence of exercises , and it is good to work through on a sonnet first to see ...
Стр. 242
... sonnet . At the ninth line it becomes more intense and more personal , and the tempo and tone changes as we approach the concluding thought . There is also a kind of riddle implicit in these lines as we wonder what can halt oncoming age ...
... sonnet . At the ninth line it becomes more intense and more personal , and the tempo and tone changes as we approach the concluding thought . There is also a kind of riddle implicit in these lines as we wonder what can halt oncoming age ...
Стр. 246
... Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for instance Angelo in Measure for Measure , Sonnets 129 and 147 would be very useful to look at . You need to look through and ...
... Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for instance Angelo in Measure for Measure , Sonnets 129 and 147 would be very useful to look at . You need to look through and ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing