The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 260
... spaces . 1 FINDING THE SPACE Every place you go into has a different acoustic , therefore you have to be prepared to make adjustments quite objectively , which is in fact good because it keeps you vocally on your toes as it were , and ...
... spaces . 1 FINDING THE SPACE Every place you go into has a different acoustic , therefore you have to be prepared to make adjustments quite objectively , which is in fact good because it keeps you vocally on your toes as it were , and ...
Стр. 261
... space . ( i ) Size : whatever size space you are working in , it is essential to investigate all the areas for clarity , for each space has its own idiosyncrasies ; and that is just as true for the small studio areas . Large spaces ...
... space . ( i ) Size : whatever size space you are working in , it is essential to investigate all the areas for clarity , for each space has its own idiosyncrasies ; and that is just as true for the small studio areas . Large spaces ...
Стр. 262
... spaces react differently . One space will like a low resonant voice and it will carry , but in another space those notes will get lost and swallowed . So you will find different notes carry and others get lost . It is always only a ...
... spaces react differently . One space will like a low resonant voice and it will carry , but in another space those notes will get lost and swallowed . So you will find different notes carry and others get lost . It is always only a ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing