The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 183
... speak the speech through , one person only speaking at a time , but in any order , and in any length of phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get ...
... speak the speech through , one person only speaking at a time , but in any order , and in any length of phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get ...
Стр. 228
... Speak to it , Horatio . Looks ' a not like the King ? Mark it , Horatio . Most like . It harrows me with fear and wonder . It would be spoke to . Speak to it , Horatio . What art thou that usurpest this time of night , Together with ...
... Speak to it , Horatio . Looks ' a not like the King ? Mark it , Horatio . Most like . It harrows me with fear and wonder . It would be spoke to . Speak to it , Horatio . What art thou that usurpest this time of night , Together with ...
Стр. 245
... speak the text . Then , having done your own work on the sonnet's rhythm and language , speak it to a member of the group , if that is appropriate . If you can speak it to someone in the group , it will clarify it enormously by giving ...
... speak the text . Then , having done your own work on the sonnet's rhythm and language , speak it to a member of the group , if that is appropriate . If you can speak it to someone in the group , it will clarify it enormously by giving ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing