The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 55
... stress with length of syllable varies the movement of the line , and ii ) the metre stress does not always lie with the sense stress . The permutations made by these two factors are endless , and therefore are endlessly interesting ...
... stress with length of syllable varies the movement of the line , and ii ) the metre stress does not always lie with the sense stress . The permutations made by these two factors are endless , and therefore are endlessly interesting ...
Стр. 172
... stress of the sense . 1 2 3 4 5 6 7 8 9 10 11 12 13 14 When I do count the clock that tells the time , And see the ... stress , as it places the thought of the sonnet in time . Though the stress is on ' brave ' and ' sunk ' , ' day ' has ...
... stress of the sense . 1 2 3 4 5 6 7 8 9 10 11 12 13 14 When I do count the clock that tells the time , And see the ... stress , as it places the thought of the sonnet in time . Though the stress is on ' brave ' and ' sunk ' , ' day ' has ...
Стр. 173
... stress must be on the first syllable . This makes the word rough . Very regular , except that you would not use the full two stresses on ' canopy ' , and this gives a different movement at the end of the line , allowing a poise before ...
... stress must be on the first syllable . This makes the word rough . Very regular , except that you would not use the full two stresses on ' canopy ' , and this gives a different movement at the end of the line , allowing a poise before ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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