The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 128
... STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As there are so many speeches of length written , it is important to look at how we deal with them : their energy can so easily get dispersed . Everything ...
... STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As there are so many speeches of length written , it is important to look at how we deal with them : their energy can so easily get dispersed . Everything ...
Стр. 180
... structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different textures of ...
... structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different textures of ...
Стр. 230
... structure behind you it will help to provide you with the energy and speed which is necessary . And here I want to ... structure there inside , this is more likely to happen . Another thing I want to repeat is that when we feel this ...
... structure behind you it will help to provide you with the energy and speed which is necessary . And here I want to ... structure there inside , this is more likely to happen . Another thing I want to repeat is that when we feel this ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing