The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 34
... style - this would be empty and false - but we do have to come to terms with a way of presenting dialogue which has as much to do with style and effect as with reality ; and I suppose its style is its reality . It does , however ...
... style - this would be empty and false - but we do have to come to terms with a way of presenting dialogue which has as much to do with style and effect as with reality ; and I suppose its style is its reality . It does , however ...
Стр. 35
... style , and so of how we speak and how we present that style . To an extent all writing is heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being ...
... style , and so of how we speak and how we present that style . To an extent all writing is heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being ...
Стр. 171
... style of any writing is always integral to the meaning , it follows that once you are in tune with the style , you will not need to press out the meaning . Basically of course , there is little more you can do than tap the metre out ...
... style of any writing is always integral to the meaning , it follows that once you are in tune with the style , you will not need to press out the meaning . Basically of course , there is little more you can do than tap the metre out ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing